{"Cole" = Thomas Cole (1801-1848), American painter and founder of the so-called Hudson River School of landscape painting; "Wier" = Robert Weir (1803-1889), another American landscape painter; "Greenough" = Horatio Greenough (1805-1852), American sculptor, and a close friend of Susan Fenimore Cooper's father; "Power" = Hiram Powers (1805-1873), another famous American sculptor; "Crawford" = Thomas Crawford (1813-1857), another American sculptor, whose statue of Orpheus was purchased by the Boston Athenaeum; "cabinet picture" = picture exhibited in a gallery or museum}英文原著 · 《Elinor Wyllys-1》
"In a few moments the sculptor laid all his plans to assure the success of his enterprise. He was one of the last to arrive at the ambassador's, but he went thither in a traveling carriage drawn by four stout horses and driven by one of the most skilful /vetturini/ in Rome. The ambassador's palace was full of people; not without difficulty did the sculptor, whom nobody knew, make his way to the salon where La Zambinella was singing at that moment.英文原著 · 《Sarrasine》
There was a statue made not long since of Voltaire, which the sculptor, not having that respect for the prejudices of mankind which he ought to have, has made entirely naked, and as meagre and emaciated as the original is said to be. The consequence is what might be expected; it has remained in the sculptor's shop, though it was intended as a public ornament and a public honour to Voltaire, as it was procured at the expense of his cotemporary wits and admirers.英文原著 · 《Seven Discourses on Art》
The next few months of preparation in New York meant getting the sculptors together and working out the designs. The first meeting of the sculptors took place in January, 1913, in Bitter's studio, with a remarkable array of personages in attendance, including D. French, Herbert Adams, Robert Aitken, James E. Fraser, H. MacNeil, A. Weinman, Mahonri Young, Isidore Konti, Mrs. Burroughs and several others. In detail Bitter explained the situation in San Francisco and outlined his ideas of what ought to be done.英文原著 · 《The City of Domes》
In a few weeks that shop was a hive of industry, with sculptors, students of sculpture front the art schools, pointers, and a multitude of other white-clad workers bending all their energies toward the completion on time of their colossal task. A few of the sculptors and artisans Calder had brought from New York. But most of the workers he secured in San Francisco, chiefly from the foreign population, some of them able to speak little or no English.英文原著 · 《The City of Domes》
In all the sculpture Calder strove to keep in mind the significance of the Exposition and the spirit of the people who were celebrating. With him styles of architecture and schools were a minor consideration, to be left to the academicians and the critics. He believed that sculpture, like all other art-forms, was chiefly valuable and interesting as human expression.英文原著 · 《The City of Domes》
And you don't think your father Who spent a fortune to turn you into a sculpture,美剧 · 《2 Broke Girls》
The bed's sculptural beauty is actually surpassed by the joy of resting in it.美剧 · 《2 Broke Girls》